*Published: 2016-12-02* So I had a piano lesson today. I've been learning Charlie Parker's "Dexterity" for the past few weeks. Some interesting points follow. # Comping yourself With chords in bebop, the tempos are usually too fast to be able to play two handed chords. Keep it to simple Bud Powell voicings. - Root and 7 - Root and 3 - 3 and 7. Only for dominant chords, otherwise it will sound like a different chord - 7 and 3. Only for dominant chords, otherwise it will sound like a different chord Chordal expectation is a thing. Hit chords either after or before beat 3 depending on what the melody is doing. # The tune Very quick, I need to work on my timing. - It helps to be able to count in 8ths to be able to fit the weird semi quaver rhythms. - Play along with the recordings. - End of A section semi quavers is off beat # Swinging (not) No swing! Bebop tunes don't swing! Only swing jazz swings. The swing feel is achieved - The drums - The accenting on the offbeats The melodic interest is generated through: - Random accents - Reduction of the melody - Incredible tempo Play the melody rock solid straight. No exceptions.